Or perhaps because he couldn't carry the traditional large plate cameras and wanted a smaller camera for him self. Buy the new eBook "The Freedom of Photographic Expression" by Thorsten Overgaard "The Freedom of Photographic Expression" eBook for computer, Kindle and iPad. Let me set the stage Picture a bar scene There’s a distinguished looking ol’ fellow sitting at the bar. Here is the strangest gear review I have ever written. The LEICA 28mm f/2.8 ASPH is LEICA's newest 28mm lens for its timeless M series of rangefinder cameras. He became the designer of the Ur- Leica which he made two (possibly three) samples of in the period 1.īell & Howell Model 414 Director Series Zoomatic Movie Cameras (early 1960s) (Other Images: Case, 414 Open) There were similar models with subtle differences. Without the usual heavy equipment, photographs of people no longer had to be confined to stiff conventionally artistic poses. It was always instantly ready to capture life and action effortlessly from any angle with the photographer often able to remain unnoticed. The Leica was extremely compact and could be fitted with a very high quality lens that enabled photographers to work in ordinary outdoor settings with available light. Once photographing meant a large box camera on a tripod, shifting film plate after each shot - and working with a dark cloth over your head and the camera.
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